Latest Updates

2015 New England Thunderbolt Prize for Crime Writing opens Monday! And some great news
The Australian Crime Writers Association (ACWA) and Melbourne-based literary journal Kill Your Darlings (KYD) are excited to announce a partnership to publish the winner of the S.D Harvey Short Story Award component of the Ned Kelly Awards from 2015.
<<<POST ADDENDUM: Nothing to do with us - all queries / comments / questions to Harper Collins please / also worth nothing posted in 2015 - may not be valid forever>>>
ACWA is pleased to inform our members about a major national research project into the creative and work practices of contemporary Australian book authors.
We're celebrating and we've opened 2015 Ned Kelly Award Submissions.
The results for the 2014 New England Thunderbolt Prize for Crime Writing, and the winners announced.
Web Design by Emma Viskic - read the 2014 Sandra Harvey Short Story Award winning entry.
Belfast born, Australian resident, Adrian McKinty has won the 2014 Ned Kelly Award for crime fiction for his novel IN THE MORNING I’LL BE GONE.
Two-time winner Garry Disher is among a strong list of writers vying for the 2014 Ned Kelly Award for Best Crime Novel in Australia. The fiction shortlist, announced by the Australian Crime Writers Association (ACWA) on Saturday (August 9) at the Bendigo Writers Festival, features other previously shortlisted nominees, including Adrian McKinty, Angela Savage and Kathryn Fox....
Book Trailer for Sandi Wallace's upcoming release - TELL ME WHY. Crime Fiction set in Daylesford in Victoria.
On Thursday 7th August at 4.30pm BST Intellect academic publishers will be holding a Tweet chat on the topic of Crime in Film/Media/Popular Culture. Our members may wish to be involved in this discussion due to their interest in crime writing. The topic is flexible to being taken in the appropriate direction to examine different individual's interests in crime and the way it is represented.
In Issue Three of White Paper, Radio National celebrates one of Australia’s premier literary events, the Sydney Writers’ Festival. Each article in this issue features a writer visiting this year’s festival, from local legends to international stars.
The Watermill are pleased to be welcoming back bestselling thriller writer Meg Gardiner for her second Crime Writing course here, from Saturday 4 October to Saturday 11 October.
Australian author Luke Preston has been shortlisted for a 2014 International Thriller Writers (ITW) award for Out of Exile (Momentum).
From 1–30 June, 2014, Jonathan Cape will be open for fiction submissions from new writers of high calibre and imagination.
The New England Writers' Centre is proud to announce the second year of its exciting national literary award, the New England Thunderbolt Prize for Crime Writing.
Geoffrey McGeachin's Charlie Berlin novels, The Diggers Rest Hotel and Blackwattle Creek, have just been re-issued by Penguin Australia with evocative new covers featuring shiny gold medallions indicating that each of the titles has won a Ned Kelly Award for Best Fiction. The third Berlin story, St Kilda Blues, will be published by Penguin in June.
Back in 1986, the wildfire success of Frank Miller’s stunning comic Batman: The Dark Knight Returns led publishers to take a serious look again at comics and graphic novels as a format for delivering gritty crime stories.
There is perhaps no other idea so entrancing to the writerly-mind than setting out to write during a cross-country trip. And there’s no smoother way to write about the amber waves of grain rolling endlessly past than on a train, says anyone who has written on both a train and in a car. So it’s not surprising that Amtrak’s plan to give free, roundtrip rides to writers (riders and writers!) is turning out to be a popular idea.
Is blurbing (authors praising the work of other authors in exuberant one-liners for the covers of their books) a transparent back-scratching exercise, a necessary evil, or a literary art-form? And can praise solicited for promotional purposes be trusted? Thuy On, books editor of the Big Issue, takes a look.